Ebook The Stones Of Venice
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The Stones Of Venice
Ebook The Stones Of Venice
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Product details
Paperback: 264 pages
Publisher: Da Capo Press; 2nd edition (July 10, 2003)
Language: English
ISBN-10: 030681286X
ISBN-13: 978-0306812866
Product Dimensions:
5.6 x 0.8 x 8.6 inches
Shipping Weight: 11.4 ounces (View shipping rates and policies)
Average Customer Review:
3.3 out of 5 stars
21 customer reviews
Amazon Best Sellers Rank:
#207,393 in Books (See Top 100 in Books)
This edition of Stones of Venice fills a real need: enough of the whole to give the reader a sense of continuity and arc of Ruskin's argument, but without the countless digressions and details. We get a good lesson in architecture, especially in the virtues of the gothic arch; we get the historical account of the Byzantine, Gothic, and Renaissance styles; and we see Ruskin's moral and historical purposes, as he tells the story of Venice as a "rise and fall" narrative. There are some surprising omissions, namely, the famous excerpted passage from "Nature of the Gothic." But the editor, I think, wisely left that out, keeping everything focused on the historical perspective of Venice; and besides, it's so frequently found in collections of Ruskin's writings. So the immense work is boiled down to about 250 readable and engaging pages.
This is abridged version, which is perfectly OK for most of us, as much of the complete version consists of very detailed and hard-to-follow architectural analysis. Some of the writing is brilliant and inspiring. I imagine some will take issue with Ruskin's basic thesis, that art and civilization have been on the decline since somewhere in the early 14th century. A lot of interesting history, well worth the journey.
"The Stones of Venice 111", by John Ruskin is a writing of his that critiques Greek, Roman, Gothic and Renaisance Art. He appreciates Gothic Art, especially the Christians Churches but states that it is not suitable for the other faiths. To him the Renaisance art work is grotesque because it does not have its orgin in the soul of man, but is dependent on science and ideas. The sculpture of fiqures on burial vaults have been replaced with curtains, and instruments of the decease, however if an angel or fiqure is present there in no facial expressions.He emphasizes the main ingredient of art is to include the soul in artistic work. There is to be a new art but it cannot come from theories of the past.A very good book with a lot of useful information.SPRArchaic and Classical Greek Art (Oxford History of Art)Nike of Samothrace Winged Victory Greek Goddess Statue, 11-inchA History of Roman ArtSigns and Symbols in Christian Art: With Illustrations from Paintings from the Renaissance (Galaxy Books)
Ruskin was the foremost art critic of the Victorian era. This Oxonian was a gentleman of universal and unusual talents.In 'The Stones of Venice' he reviews that fertile depository of so different cross currents of arts, the 'Serenissima Republica', which had no better exit than by sea through the Adriatic.When Marcel Proust visited Venice, hand in book as his guide, he walked and saw through the eyes of Ruskin. You should too and your scope of art appreciation will expand towards new frontiers.High art in Venice in particular and in Europe in general are no longer produced because the Spirit has left its carcass, which is rotting and decaying, just as Venice was by the time Ruskin walked its narrow alleys and across its street bridges. And because that Spirit has left Europe it no longer produces geniuses of the caliber of John Ruskin.
This edition is a highly abridged version of this classic. Many of Ruskin's best passages have been completely removed. This should have been stated up front in the description of the book, but it is not.
The book printing was terrible, shame on the printers and shame on You for not overseeing the quality of merchandise you carry.I refused to give my opinion before so that maybe I could be more diplomatic but I am still disturbed.Now...WHAT ARE YOU GOING TO DO ABOUT IT?
You can't go two sentences without finding words erroneously mashed together without a space separating them. The kindle edition isn't worth a dollar for howannoying it isto attempt to read it withall the missingspaces. Whoever digitized this needs to get their act together.
Watch out - extremely Victorian writing style. Many disagree with Ruskin but the fact remains that he delivers an aesthetic algorithm that prepares the reader to think about architecture and other art forms.
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